{"id":172,"date":"2026-03-20T14:59:57","date_gmt":"2026-03-20T05:59:57","guid":{"rendered":"https:\/\/kanpai-navi.com\/en\/whisky\/whisky-vs-whiskey\/"},"modified":"2026-03-20T20:11:15","modified_gmt":"2026-03-20T11:11:15","slug":"whisky-vs-whiskey","status":"publish","type":"post","link":"https:\/\/kanpai-navi.com\/en\/whisky\/whisky-vs-whiskey\/","title":{"rendered":"Whisky vs Whiskey: Why Japan Spells It Without the &#8216;E&#8217;"},"content":{"rendered":"<div class=\"key-points\">\n<p class=\"key-points__title\">What You&#8217;ll Learn in This Article<\/p>\n<ul class=\"key-points__list\">\n<li><a href=\"#history-spelling-split\">How one letter split the whisky world &#8212; the 1800s branding war that created two competing spellings<\/a><\/li>\n<li><a href=\"#country-by-country\">Which countries use which spelling &#8212; a complete reference table covering every major producing nation<\/a><\/li>\n<li><a href=\"#japan-chose-whisky\">Why Japan chose &#8220;whisky&#8221; &#8212; Taketsuru&#8217;s Scottish pilgrimage and the century of devotion it created<\/a><\/li>\n<li><a href=\"#style-difference\">Whether the spelling actually signals a flavor difference &#8212; Scotch vs Bourbon vs Japanese compared<\/a><\/li>\n<li><a href=\"#when-to-use\">When to use which spelling &#8212; a definitive quick-reference guide for writers, bartenders, and enthusiasts<\/a><\/li>\n<\/ul>\n<\/div>\n<p>Walk into any serious bar and you will notice something that has been confusing spirits lovers for over a century: some bottles say <strong>whisky<\/strong> while others say <strong>whiskey<\/strong>. One letter. That is all it takes to spark heated debate, internet arguments, and genuinely anxious emails from copyeditors around the world.<\/p>\n<p>Neither spelling is a typo, and neither is wrong. Both refer to the same broad category of grain-based distilled spirit &#8212; but the version a producer puts on its label signals <span class=\"marker-yellow\">tradition, geography, and a deliberate philosophical alignment<\/span> with a particular school of distilling. Nowhere is that alignment more revealing than in Japan, where dropping the &#8220;e&#8221; tells a century-old story of devotion to Scottish craft.<\/p>\n<p>This guide breaks down the full history, the country-by-country conventions, the style differences (real and imagined), and the practical rules for using the right spelling in the right context. By the end, <span class=\"marker-yellow\">you will never hesitate over that missing &#8220;e&#8221; again<\/span>.<\/p>\n<div class=\"expert-box\"><div class=\"expert-box__photo\"><img decoding=\"async\" src=\"https:\/\/kanpai-navi.com\/wp-content\/uploads\/2026\/02\/IMG_9981.jpg\" alt=\"Daichi Takemoto\" \/><\/div><div class=\"expert-box__info\"><p class=\"expert-box__label\">Supervised by<\/p><p class=\"expert-box__name\">Daichi Takemoto<\/p><p class=\"expert-box__role\">Authentic Bartender &amp; Owner of Obanzai Nanchatte, Kobe<\/p><p class=\"expert-box__bio\">With 8 years of experience as a professional bartender and now the owner of \"Obanzai Nanchatte\" in Kobe, Daichi brings hands-on expertise in Japanese sake, whisky, and food pairing to every article on Kanpai Navi.<\/p><\/div><\/div>\n<h2 id=\"history-spelling-split\">The History of the Whisky vs Whiskey Spelling Split<\/h2>\n<p>The word itself comes from the Gaelic <em>uisge beatha<\/em> (Scottish Gaelic) or <em>uisce beatha<\/em> (Irish Gaelic), both meaning &#8220;water of life.&#8221; Over centuries of Anglicization the term was shortened &#8212; first to <em>usquebaugh<\/em>, then to <em>whisky<\/em>. Up until the early 1800s, <span class=\"marker-yellow\">both Scotland and Ireland generally used the same spelling: whisky<\/span>.<\/p>\n<p>The split did not happen overnight. It unfolded across several key periods, each driven by commercial rivalry, national pride, and a fierce desire to differentiate one tradition from another.<\/p>\n<h3>The Early Shared Spelling (Pre-1800s)<\/h3>\n<p>Before the 19th century, distillers on both sides of the Irish Sea wrote &#8220;whisky&#8221; without controversy. The spirit was made in pot stills from malted barley, and the production methods in Scotland and Ireland were broadly similar. There was no reason for a spelling distinction because there was <span class=\"marker-yellow\">little perceived product distinction<\/span>.<\/p>\n<p>Both nations drew from the same Gaelic linguistic roots. The Anglicization process was organic and inconsistent &#8212; you can find historical documents from this era using &#8220;whiskie,&#8221; &#8220;whiskee,&#8221; and even &#8220;uisky&#8221; &#8212; but the dominant convention that eventually settled was &#8220;whisky&#8221; without an &#8220;e.&#8221;<\/p>\n<h3>The Irish Rebellion Against Blends (1850s-1880s)<\/h3>\n<p>The divergence began when Scottish distillers adopted the Coffey (column) still for producing blended grain whisky at scale. This was a <span class=\"red-bold\">revolutionary and deeply controversial<\/span> development. The column still, patented by Irishman Aeneas Coffey in 1831, could produce spirit continuously rather than in batches &#8212; making it faster, cheaper, and capable of far higher volumes than traditional pot stills.<\/p>\n<p>Several prominent Irish distillers &#8212; fiercely protective of their traditional pot-still methods &#8212; viewed these blends as inferior. They considered column-still spirit to be a neutral grain alcohol that bore no resemblance to genuine whisky. In 1879, four major Dublin distilleries published a pamphlet titled <em>Truths About Whisky<\/em>, arguing that column-still spirit was not true whisky at all.<\/p>\n<p>Around this same period, Irish producers began adding the &#8220;e&#8221; to create <strong>whiskey<\/strong>. The extra letter was <span class=\"marker-yellow\">a branding statement &#8212; a way of saying: &#8220;Our product is different, and we want you to know it.&#8221;<\/span> It was marketing as much as it was orthography.<\/p>\n<h3>The Irony of the Coffey Still<\/h3>\n<p>There is a deeply ironic footnote to this story that most articles about the whisky vs whiskey debate overlook entirely. The column still that the Irish producers so passionately rejected was <span class=\"red-bold\">invented by an Irishman<\/span>. Aeneas Coffey was born in Dublin and served as Inspector General of Excise in Ireland before patenting his revolutionary still design.<\/p>\n<p>The Irish distilling establishment rejected his invention. The Scots embraced it. Coffey&#8217;s still became the backbone of Scotland&#8217;s blended whisky industry &#8212; the very industry that Irish distillers were trying to distinguish themselves from by adding an &#8220;e&#8221; to their spelling. The tool that an Irishman created ultimately benefited Scotland more than Ireland, and the spelling split was partly a reaction to that perceived betrayal.<\/p>\n<h3>The American Adoption (Late 1800s-1900s)<\/h3>\n<p>When Irish immigrants brought their distilling traditions to the United States, American producers adopted <strong>whiskey<\/strong> as well. The connection was direct &#8212; Irish immigrants established many of the early American distilleries, and they carried their preferred spelling along with their pot-still techniques and grain recipes.<\/p>\n<p>The US government eventually codified the &#8220;ey&#8221; spelling in its Standards of Identity for Distilled Spirits, cementing the convention for generations. <span class=\"marker-yellow\">By the time American bourbon was becoming a globally recognized spirit, &#8220;whiskey&#8221; was already deeply embedded in the legal and cultural framework.<\/span><\/p>\n<h3>The Complete Spelling Split Timeline<\/h3>\n<table>\n<thead>\n<tr>\n<th>Period<\/th>\n<th>Event<\/th>\n<th>Spelling Impact<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Pre-1800s<\/strong><\/td>\n<td>Shared Gaelic origins; pot-still production in Scotland and Ireland<\/td>\n<td>Both use &#8220;whisky&#8221;<\/td>\n<\/tr>\n<tr>\n<td><strong>1831<\/strong><\/td>\n<td>Aeneas Coffey (Irish) patents the column still<\/td>\n<td>Seeds the future controversy between nations<\/td>\n<\/tr>\n<tr>\n<td><strong>1850s-1860s<\/strong><\/td>\n<td>Scottish blended whisky production scales rapidly using column stills<\/td>\n<td>Irish distillers begin distancing their product from blends<\/td>\n<\/tr>\n<tr>\n<td><strong>1879<\/strong><\/td>\n<td>Four Dublin distillers publish <em>Truths About Whisky<\/em><\/td>\n<td>&#8220;Whiskey&#8221; with &#8220;e&#8221; gains formal traction in Ireland<\/td>\n<\/tr>\n<tr>\n<td><strong>Late 1800s<\/strong><\/td>\n<td>Irish immigrants bring distilling traditions to the US<\/td>\n<td>America adopts &#8220;whiskey&#8221; through Irish cultural influence<\/td>\n<\/tr>\n<tr>\n<td><strong>Early 1900s<\/strong><\/td>\n<td>US federal standards formalize spelling in regulatory language<\/td>\n<td>&#8220;Whiskey&#8221; becomes the official American convention<\/td>\n<\/tr>\n<tr>\n<td><strong>1923<\/strong><\/td>\n<td>Japan&#8217;s first distillery (Yamazaki) opens, modeled on Scotch<\/td>\n<td>Japan adopts &#8220;whisky&#8221; (no &#8220;e&#8221;) from day one<\/td>\n<\/tr>\n<tr>\n<td><strong>1934<\/strong><\/td>\n<td>Taketsuru founds Nikka Whisky in Yoichi, Hokkaido<\/td>\n<td>Confirms Japan&#8217;s commitment to the &#8220;whisky&#8221; convention<\/td>\n<\/tr>\n<tr>\n<td><strong>2021<\/strong><\/td>\n<td>JSLMA tightens &#8220;Japanese Whisky&#8221; labeling standards<\/td>\n<td>&#8220;Whisky&#8221; (no &#8220;e&#8221;) codified as the legal Japanese standard<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>By the early 20th century, the two camps had solidified: <span class=\"marker-yellow\">Scotland and its followers on one side, Ireland and America on the other<\/span>. This division has held remarkably steady for over a century.<\/p>\n<div class=\"bartender-note\"><p class=\"bartender-note__title\">Behind My Bar I Stock Both Spellings<\/p>Behind my bar I stock both &#8220;whisky&#8221; and &#8220;whiskey&#8221; &#8212; and you would be surprised how often customers assume I have made a labeling error. At least once a week, someone points to a shelf and tells me that the Nikka bottle is &#8220;spelled wrong&#8221; because it does not have an &#8220;e.&#8221; That moment becomes a teaching opportunity. I explain that the spelling is the first clue about where the spirit comes from and which tradition it honors. By the time they take their first sip of Nikka From The Barrel, they already understand something fundamental about why Japanese whisky tastes the way it does &#8212; because they understand where the philosophy behind it originated.<\/div>\n<h2 id=\"country-by-country\">Which Countries Use Which Spelling?<\/h2>\n<p>While individual brands occasionally break convention, the general rule for <strong>whisky or whiskey<\/strong> follows clear geographic lines. The table below covers every major producing nation and several emerging ones.<\/p>\n<h3>The Complete Country-by-Country Reference<\/h3>\n<table>\n<thead>\n<tr>\n<th>Country \/ Region<\/th>\n<th>Spelling<\/th>\n<th>Reason<\/th>\n<th>Notable Brands<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Scotland<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Original Gaelic convention; legally protected as &#8220;Scotch Whisky&#8221; under the Scotch Whisky Regulations 2009<\/td>\n<td>Glenfiddich, Macallan, Laphroaig, Ardbeg<\/td>\n<\/tr>\n<tr>\n<td><strong>Ireland<\/strong><\/td>\n<td>Whiskey<\/td>\n<td>Added &#8220;e&#8221; in 1800s to differentiate from Scotch blends<\/td>\n<td>Jameson, Redbreast, Bushmills, Green Spot<\/td>\n<\/tr>\n<tr>\n<td><strong>United States<\/strong><\/td>\n<td>Whiskey<\/td>\n<td>Adopted from Irish immigrant tradition; codified in federal regulations<\/td>\n<td>Jack Daniel&#8217;s, Woodford Reserve, Wild Turkey, Buffalo Trace<\/td>\n<\/tr>\n<tr>\n<td><strong>Japan<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Modeled directly on Scotch tradition via Taketsuru&#8217;s apprenticeship<\/td>\n<td><a href=\"\/en\/whisky-brands\/yamazaki-whisky\/\">Yamazaki<\/a>, <a href=\"\/en\/whisky-brands\/nikka-from-the-barrel\/\">Nikka<\/a>, Hakushu, Chichibu<\/td>\n<\/tr>\n<tr>\n<td><strong>Canada<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Scottish influence on founding distillers; codified in Canadian law<\/td>\n<td>Crown Royal, Canadian Club, Lot No. 40<\/td>\n<\/tr>\n<tr>\n<td><strong>India<\/strong><\/td>\n<td>Whisky<\/td>\n<td>British colonial influence (Scottish convention)<\/td>\n<td>Amrut, Paul John, Rampur<\/td>\n<\/tr>\n<tr>\n<td><strong>Taiwan<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Kavalan<\/td>\n<\/tr>\n<tr>\n<td><strong>Australia<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Starward, Sullivan&#8217;s Cove, Lark<\/td>\n<\/tr>\n<tr>\n<td><strong>Sweden<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Mackmyra, Spirit of Hven<\/td>\n<\/tr>\n<tr>\n<td><strong>France<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Brenne, Warenghem, Armorik<\/td>\n<\/tr>\n<tr>\n<td><strong>Germany<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Slyrs, St. Kilian<\/td>\n<\/tr>\n<tr>\n<td><strong>New Zealand<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Follows international (Scottish) convention<\/td>\n<td>Thomson Whisky, Cardrona<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>The Mnemonic That Actually Works<\/h3>\n<p>A quick mnemonic many bartenders use: <span class=\"red-bold\">countries with an &#8220;e&#8221; in their name<\/span> (Ir<strong>e<\/strong>land, Unit<strong>e<\/strong>d Stat<strong>e<\/strong>s) tend to use whisk<strong>e<\/strong>y with an &#8220;e.&#8221; Countries without (Scotland, Japan, Canada) drop it. It is not a perfect rule &#8212; there are exceptions &#8212; but it works surprisingly well as a mental shortcut for the vast majority of cases.<\/p>\n<p>The key takeaway is simple: <span class=\"marker-yellow\">the vast majority of the world&#8217;s producing nations use &#8220;whisky&#8221; without the &#8220;e.&#8221;<\/span> Only Ireland and the United States consistently use &#8220;whiskey.&#8221; When you encounter a new bottle from an unfamiliar producer and are unsure of the convention, &#8220;whisky&#8221; (no &#8220;e&#8221;) is the statistically safer default.<\/p>\n<h3>Notable Exceptions and Edge Cases<\/h3>\n<p>No rule about whisky spelling is absolute. Here are the most important exceptions to keep in mind.<\/p>\n<table>\n<thead>\n<tr>\n<th>Brand \/ Producer<\/th>\n<th>Country<\/th>\n<th>Expected Spelling<\/th>\n<th>Actual Spelling<\/th>\n<th>Reason<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Maker&#8217;s Mark<\/strong><\/td>\n<td>United States<\/td>\n<td>Whiskey<\/td>\n<td>Whisky<\/td>\n<td>Founders were of Scottish-Irish descent and chose the Scottish convention deliberately<\/td>\n<\/tr>\n<tr>\n<td><strong>Old Forester<\/strong><\/td>\n<td>United States<\/td>\n<td>Whiskey<\/td>\n<td>Whisky (historically)<\/td>\n<td>Early labels used &#8220;whisky&#8221;; modern labels use &#8220;whiskey&#8221;<\/td>\n<\/tr>\n<tr>\n<td><strong>George Dickel<\/strong><\/td>\n<td>United States<\/td>\n<td>Whiskey<\/td>\n<td>Whisky<\/td>\n<td>Deliberately chose Scottish spelling to signal a Scotch-influenced distilling philosophy<\/td>\n<\/tr>\n<tr>\n<td><strong>Paddy<\/strong><\/td>\n<td>Ireland<\/td>\n<td>Whiskey<\/td>\n<td>Whiskey<\/td>\n<td>Follows convention &#8212; but early labels sometimes used &#8220;whisky&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>These exceptions prove an important point: <span class=\"marker-yellow\">the label always takes precedence over the general rule<\/span>. When a producer deliberately breaks convention, they are making a conscious statement about their identity and influences. Respect the label.<\/p>\n<div class=\"caution-box\"><p class=\"caution-box__title\">Do Not Correct a Label&#039;s Spelling<\/p>One of the most common mistakes in spirits writing is &#8220;correcting&#8221; a brand&#8217;s spelling to match the expected regional convention. If an American bourbon spells it &#8220;whisky&#8221; on the label &#8212; as Maker&#8217;s Mark does &#8212; then &#8220;whisky&#8221; is the correct spelling for that product. If you are reviewing Maker&#8217;s Mark and write &#8220;whiskey,&#8221; you are the one who is wrong, not the distillery. Always defer to the producer&#8217;s own label, even when it defies convention.<\/div>\n<h2 id=\"japan-chose-whisky\">Why Japan Chose &#8220;Whisky&#8221;: The Scotch Connection<\/h2>\n<p>Of all the countries that produce this spirit, Japan&#8217;s choice of spelling is perhaps the most deliberate and the most historically meaningful. The story begins &#8212; and essentially ends &#8212; with one man: <span class=\"red-bold\">Masataka Taketsuru<\/span>.<\/p>\n<h3>Taketsuru&#8217;s Scottish Pilgrimage (1918-1920)<\/h3>\n<p>In 1918, Taketsuru left Japan for Scotland with a singular mission: to learn the art of Scotch whisky making. He enrolled at the University of Glasgow to study chemistry, then apprenticed at several Scottish distilleries including Longmorn, Bo&#8217;ness, and Hazelburn. He took meticulous notes on every stage of production &#8212; mashing, fermentation, distillation, maturation &#8212; filling notebooks with technical drawings, temperature readings, and sensory observations that would become the blueprint for an entire national industry.<\/p>\n<p>He also married a Scottish woman, Rita Cowan. This was not just a personal decision &#8212; it was a <span class=\"marker-yellow\">symbol of how completely Taketsuru had immersed himself in Scottish life and culture<\/span>. He did not study Scotland from a distance. He lived it, breathed it, and ultimately married into it.<\/p>\n<p>When Taketsuru returned to Japan in 1920, he carried not just technical knowledge but a deep personal loyalty to the Scottish tradition. The spelling was never in question. He had learned to make &#8220;whisky&#8221; &#8212; and that is what he would call it.<\/p>\n<h3>From Yamazaki to Nikka (1923-1934)<\/h3>\n<p>Taketsuru partnered with Shinjiro Torii to establish Japan&#8217;s first commercial whisky distillery &#8212; <a href=\"\/en\/whisky-brands\/yamazaki-whisky\/\">Yamazaki<\/a> &#8212; in 1923. The location was chosen for its water quality and its climate, but the methods were pure Scotland. Copper pot stills. Malted barley. Oak cask maturation. And on every label, every document, every piece of correspondence: <span class=\"marker-yellow\">&#8220;whisky&#8221; without the &#8220;e.&#8221;<\/span><\/p>\n<p>The two men eventually parted ways over creative differences. Torii wanted to create a softer, more delicate spirit suited to the Japanese palate. Taketsuru wanted to replicate the robust, peaty character of the Scottish Highlands as faithfully as possible. In 1934, Taketsuru founded his own company: what would become <a href=\"\/en\/whisky-brands\/nikka-from-the-barrel\/\">Nikka Whisky<\/a>.<\/p>\n<p>He built his distillery in Yoichi, Hokkaido &#8212; a location chosen specifically because its climate and geography reminded him of Scotland. The cold winters, the sea air, the humidity &#8212; <span class=\"marker-yellow\">Taketsuru was not just making whisky in the Scottish style; he was recreating Scotland itself on Japanese soil<\/span>.<\/p>\n<h3>The Founding Timeline of Japanese Whisky<\/h3>\n<table>\n<thead>\n<tr>\n<th>Year<\/th>\n<th>Event<\/th>\n<th>Significance for Spelling<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>1918<\/strong><\/td>\n<td>Taketsuru departs for Scotland to study distilling<\/td>\n<td>Learns the craft as &#8220;whisky&#8221; &#8212; no &#8220;e&#8221; in any Scottish context<\/td>\n<\/tr>\n<tr>\n<td><strong>1920<\/strong><\/td>\n<td>Returns to Japan with Rita Cowan and detailed notebooks<\/td>\n<td>Brings Scottish knowledge, conventions, and terminology<\/td>\n<\/tr>\n<tr>\n<td><strong>1923<\/strong><\/td>\n<td>Yamazaki Distillery opens under Suntory (with Torii)<\/td>\n<td>Labeled &#8220;whisky&#8221; from day one &#8212; the Scottish convention applied immediately<\/td>\n<\/tr>\n<tr>\n<td><strong>1934<\/strong><\/td>\n<td>Taketsuru founds Nikka in Yoichi, Hokkaido<\/td>\n<td>&#8220;Nikka Whisky&#8221; &#8212; no &#8220;e&#8221; &#8212; is the official company name<\/td>\n<\/tr>\n<tr>\n<td><strong>1940<\/strong><\/td>\n<td>Nikka releases its first commercial bottling<\/td>\n<td>Japanese consumers begin associating &#8220;whisky&#8221; spelling with domestic production<\/td>\n<\/tr>\n<tr>\n<td><strong>1973<\/strong><\/td>\n<td>Suntory opens Hakushu Distillery in the Japanese Alps<\/td>\n<td>Continues the &#8220;whisky&#8221; convention without deviation<\/td>\n<\/tr>\n<tr>\n<td><strong>2004<\/strong><\/td>\n<td>Venture Whisky opens Chichibu Distillery<\/td>\n<td>New-generation producer maintains the same spelling tradition<\/td>\n<\/tr>\n<tr>\n<td><strong>2021<\/strong><\/td>\n<td>JSLMA tightens &#8220;Japanese Whisky&#8221; labeling standards<\/td>\n<td>&#8220;Whisky&#8221; (no &#8220;e&#8221;) codified as the legal standard in official regulations<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>The Philosophy Behind the Missing &#8220;E&#8221;<\/h3>\n<p>Understanding why Japan uses &#8220;whisky&#8221; is not just a matter of historical trivia. It reveals something fundamental about <span class=\"marker-yellow\">how the Japanese approach to whisky differs from &#8212; and yet deeply respects &#8212; its Scottish origins<\/span>.<\/p>\n<p>Japanese whisky makers did not set out to create something &#8220;new.&#8221; They set out to master something that already existed. The omission of the &#8220;e&#8221; is a mark of lineage, a visible acknowledgment that says: we learned from Scotland, we honor Scotland, and we carry that tradition forward.<\/p>\n<p>This is why you will never see a serious Japanese distillery spell it &#8220;whiskey.&#8221; To do so would be to align with the Irish-American tradition &#8212; a tradition that has its own rich history, but not the history that gave birth to Japanese whisky. <span class=\"red-bold\">The spelling is a declaration of heritage<\/span>.<\/p>\n<h3>The Legacy Today<\/h3>\n<p>The Japan Spirits &amp; Liqueurs Makers Association (JSLMA) officially uses &#8220;whisky&#8221; in its labeling standards. Every major Japanese producer &#8212; Suntory, Nikka, Mars, Chichibu, Eigashima &#8212; follows the same convention without exception.<\/p>\n<p>The 2021 regulations that tightened the definition of &#8220;Japanese Whisky&#8221; to require domestic production and aging reinforced the no-&#8220;e&#8221; spelling as the legal standard. These regulations were landmark &#8212; they addressed years of controversy over bottles labeled &#8220;Japanese Whisky&#8221; that actually contained imported bulk spirit &#8212; and in doing so, they reaffirmed the spelling that Taketsuru established nearly a century earlier.<\/p>\n<p>If you want to taste a Japanese whisky that beautifully showcases this Scotch-influenced heritage, <a href=\"\/en\/whisky-brands\/nikka-from-the-barrel\/\">Nikka From The Barrel<\/a> is one of the most acclaimed and accessible examples. For something with a different character, <a href=\"\/en\/whisky-brands\/nikka-coffey-grain-whisky\/\">Nikka Coffey Grain Whisky<\/a> demonstrates how Japanese distillers took a Scottish invention &#8212; the Coffey still &#8212; and used it to create something uniquely their own. And for the pinnacle of Japanese blending philosophy, <a href=\"\/en\/whisky-brands\/hibiki-whisky\/\">Hibiki<\/a> represents Suntory&#8217;s vision of harmony between multiple distillery characters.<\/p>\n<div class=\"expert-bubble\"><div class=\"expert-bubble__avatar\"><img decoding=\"async\" src=\"https:\/\/kanpai-navi.com\/wp-content\/uploads\/2026\/02\/IMG_9981.jpg\" alt=\"Daichi Takemoto\" \/><\/div><div class=\"expert-bubble__body\"><p class=\"expert-bubble__name\">Daichi Takemoto<\/p><p class=\"expert-bubble__text\">In Japan, we never debate the spelling &#8212; it has always been &#8220;whisky.&#8221; Taketsuru brought back more than recipes from Scotland; he brought back a philosophy. That single missing &#8220;e&#8221; represents an entire lineage of respect for Scottish craftsmanship that still runs through Japanese distilling today. When I train new bartenders, the spelling lesson is one of the first things I teach &#8212; because understanding where Japanese whisky comes from is essential to understanding how to serve it properly.<\/p><\/div><\/div>\n<h2 id=\"style-difference\">Does the Spelling Indicate a Style Difference?<\/h2>\n<p>Here is where things get genuinely nuanced. While the <strong>whiskey vs whisky difference<\/strong> in spelling originally emerged from a desire to distinguish products, the spelling alone does not guarantee any particular flavor profile, production method, or quality level.<\/p>\n<p>That said, the major traditions do have broad stylistic tendencies that are worth understanding. <span class=\"marker-yellow\">The spelling tells you about heritage, and heritage shapes (but does not dictate) style.<\/span><\/p>\n<h3>The Five Major Traditions Compared<\/h3>\n<table>\n<thead>\n<tr>\n<th>Tradition<\/th>\n<th>Spelling<\/th>\n<th>Primary Grain<\/th>\n<th>Still Type<\/th>\n<th>Minimum Aging<\/th>\n<th>Typical Character<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td><strong>Scotch<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Malted barley (single malt) or mixed grains (blends)<\/td>\n<td>Pot still \/ column still<\/td>\n<td>3 years in oak<\/td>\n<td>Malty, complex; ranges from briny peat (Islay) to fruity elegance (Speyside)<\/td>\n<\/tr>\n<tr>\n<td><strong>Irish<\/strong><\/td>\n<td>Whiskey<\/td>\n<td>Malted and unmalted barley<\/td>\n<td>Pot still (often triple-distilled)<\/td>\n<td>3 years in oak<\/td>\n<td>Smooth, light, approachable; gentle fruit and grain notes<\/td>\n<\/tr>\n<tr>\n<td><strong>American (Bourbon)<\/strong><\/td>\n<td>Whiskey<\/td>\n<td>Min. 51% corn<\/td>\n<td>Column still + pot still (doubler)<\/td>\n<td>New charred oak barrels; no minimum for bourbon, 2 years for &#8220;straight&#8221;<\/td>\n<td>Sweet, full-bodied; vanilla, caramel, oak spice<\/td>\n<\/tr>\n<tr>\n<td><strong>Japanese<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Malted barley (primarily)<\/td>\n<td>Pot still \/ column still<\/td>\n<td>No legal minimum (JSLMA requires 3 years for &#8220;Japanese Whisky&#8221; label)<\/td>\n<td>Precise, balanced, restrained elegance; floral to lightly peated<\/td>\n<\/tr>\n<tr>\n<td><strong>Canadian<\/strong><\/td>\n<td>Whisky<\/td>\n<td>Corn, rye, barley blends<\/td>\n<td>Column still<\/td>\n<td>3 years in oak<\/td>\n<td>Light, smooth, easy-drinking; rye spice in premium bottlings<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>Where Heritage Shapes Flavor (and Where It Does Not)<\/h3>\n<p>The table reveals real differences in production and character &#8212; but those differences are driven by <span class=\"marker-yellow\">ingredients, methods, climate, and regulations<\/span>, not by the spelling itself. A heavily peated Japanese whisky from Chichibu may taste closer to an Islay Scotch than to a delicate Hakushu, despite both Japanese bottles spelling it &#8220;whisky.&#8221;<\/p>\n<p>Similarly, a triple-distilled Irish pot-still whiskey can taste dramatically different from a Kentucky straight bourbon &#8212; even though both use the &#8220;whiskey&#8221; spelling. The &#8220;e&#8221; connects them culturally but not necessarily in terms of what you will taste in the glass.<\/p>\n<p>There are, however, some patterns worth noting. Traditions that use &#8220;whisky&#8221; (Scotland, Japan, Canada) tend to emphasize <span class=\"marker-yellow\">blending as an art form<\/span> &#8212; master blenders are revered figures in these countries. Traditions that use &#8220;whiskey&#8221; (Ireland, America) tend to place more emphasis on the individual distillery and the specific grain bill as markers of identity.<\/p>\n<p>This is a generalization, not a rule. But it reflects something real about how these different schools of thought approach the craft.<\/p>\n<h3>The Flavor Overlap Between Scotch and Japanese Whisky<\/h3>\n<p>Given their shared heritage, the flavor overlap between Scotch and Japanese whisky is particularly interesting. Both traditions rely heavily on malted barley and pot-still distillation. Both use a variety of cask types for maturation. And both produce spirits that range from light and floral to intensely smoky.<\/p>\n<p>Where they diverge is in philosophy. Scottish distillers &#8212; especially single malt producers &#8212; tend to celebrate regional character and individual distillery identity. Japanese distillers tend to pursue <span class=\"marker-yellow\">balance and harmony above all else<\/span>, often blending spirits from multiple distilleries to create a unified expression rather than showcasing one distillery&#8217;s idiosyncrasies.<\/p>\n<p>This philosophical difference does not show up in the spelling. Both write &#8220;whisky.&#8221; But it does show up in the glass &#8212; and understanding it helps you appreciate why a <a href=\"\/en\/whisky-brands\/hibiki-whisky\/\">Hibiki Harmony<\/a> tastes fundamentally different from a Highland Park 12, despite both being whiskies (no &#8220;e&#8221;) that use similar ingredients and methods.<\/p>\n<p>For those interested in exploring the <a href=\"\/en\/whisky\/japanese-single-malt\/\">Japanese single malt<\/a> category specifically, the Scottish influence is most directly apparent in expressions that use Mizunara oak or imported sherry casks alongside traditional American oak.<\/p>\n<div class=\"bartender-note\"><p class=\"bartender-note__title\">The Question I Get Asked Most Often<\/p>The question I hear most often &#8212; more than &#8220;what should I order?&#8221; or &#8220;what pairs with this?&#8221; &#8212; is whether whisky and whiskey taste different. My answer is always the same: the spelling tells you where it comes from, not what it tastes like. I have poured a Japanese Yoichi that tasted remarkably like an Islay Scotch, and I have poured an Irish Redbreast that had the richness and depth of a good bourbon. If you choose your dram based on the spelling, you will miss half the great spirits in the world. Choose based on what is inside the bottle, and let the spelling teach you the history afterward.<\/div>\n<div class=\"expert-bubble\"><div class=\"expert-bubble__avatar\"><img decoding=\"async\" src=\"https:\/\/kanpai-navi.com\/wp-content\/uploads\/2026\/02\/IMG_9981.jpg\" alt=\"Daichi Takemoto\" \/><\/div><div class=\"expert-bubble__body\"><p class=\"expert-bubble__name\">Daichi Takemoto<\/p><p class=\"expert-bubble__text\">When customers ask me whether whisky or whiskey is &#8220;better,&#8221; I tell them they are asking the wrong question. The spelling tells you about heritage, not quality. I have poured extraordinary drams from Scotland, Japan, Ireland, and America &#8212; and I have poured disappointing bottles from every one of those countries too. Explore widely and let your palate decide. That is the only honest advice any bartender can give.<\/p><\/div><\/div>\n<h2 id=\"when-to-use\">When to Use Which Spelling: The Definitive Guide<\/h2>\n<p>If you are writing about or discussing spirits and want to get the spelling right, the rules are straightforward but worth memorizing. Getting this wrong in professional spirits writing is <span class=\"marker-yellow\">one of the fastest ways to lose credibility<\/span> with knowledgeable readers.<\/p>\n<h3>The Scenario-by-Scenario Reference<\/h3>\n<table>\n<thead>\n<tr>\n<th>Scenario<\/th>\n<th>Correct Spelling<\/th>\n<th>Example<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Referring to a Scotch product<\/td>\n<td>Whisky<\/td>\n<td>&#8220;Laphroaig is a single malt Scotch <strong>whisky<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to a Japanese product<\/td>\n<td>Whisky<\/td>\n<td>&#8220;<a href=\"\/en\/whisky-brands\/yamazaki-whisky\/\">Yamazaki 12<\/a> is a Japanese <strong>whisky<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to a Canadian product<\/td>\n<td>Whisky<\/td>\n<td>&#8220;Crown Royal is a Canadian <strong>whisky<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to an Irish product<\/td>\n<td>Whiskey<\/td>\n<td>&#8220;Redbreast is an Irish <strong>whiskey<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to an American product<\/td>\n<td>Whiskey<\/td>\n<td>&#8220;Woodford Reserve is a bourbon <strong>whiskey<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to an Indian product<\/td>\n<td>Whisky<\/td>\n<td>&#8220;Amrut Fusion is an Indian <strong>whisky<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Referring to a Taiwanese product<\/td>\n<td>Whisky<\/td>\n<td>&#8220;Kavalan Solist is a Taiwanese <strong>whisky<\/strong>.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Matching a specific label<\/td>\n<td>Whatever the label says<\/td>\n<td>&#8220;Maker&#8217;s Mark spells it <strong>whisky<\/strong>&#8221; (an American exception).<\/td>\n<\/tr>\n<tr>\n<td>Writing about the spirit in general<\/td>\n<td>Either (be consistent)<\/td>\n<td>Most international publications default to &#8220;whisky&#8221; since more producing countries use it.<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h3>The Three Golden Rules<\/h3>\n<p><strong>Rule 1: Always match the producer&#8217;s own label.<\/strong> If the bottle says &#8220;whisky,&#8221; write &#8220;whisky.&#8221; If it says &#8220;whiskey,&#8221; write &#8220;whiskey.&#8221; This takes precedence over every other rule.<\/p>\n<p><strong>Rule 2: When discussing a specific national tradition, use that nation&#8217;s convention.<\/strong> &#8220;Scotch whisky.&#8221; &#8220;Irish whiskey.&#8221; &#8220;Japanese whisky.&#8221; &#8220;American whiskey.&#8221; This is not optional in professional spirits writing &#8212; <span class=\"marker-yellow\">it is a matter of accuracy and respect<\/span>.<\/p>\n<p><strong>Rule 3: When speaking generally, pick one and stay consistent.<\/strong> Do not switch between &#8220;whisky&#8221; and &#8220;whiskey&#8221; within the same paragraph or article unless you are specifically discussing different national traditions. Most international publications and the Scotch Whisky Association default to &#8220;whisky&#8221; (no &#8220;e&#8221;) when writing about the spirit as a broad category, since more producing nations use that spelling.<\/p>\n<h3>What About the Plural?<\/h3>\n<p>This catches people out more often than you might expect. The plurals follow simple English rules.<\/p>\n<table>\n<thead>\n<tr>\n<th>Singular<\/th>\n<th>Plural<\/th>\n<th>Example<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Whisky<\/td>\n<td>Whiskies<\/td>\n<td>&#8220;Japanese <strong>whiskies<\/strong> have won numerous international awards.&#8221;<\/td>\n<\/tr>\n<tr>\n<td>Whiskey<\/td>\n<td>Whiskeys<\/td>\n<td>&#8220;American <strong>whiskeys<\/strong> dominate the bourbon market.&#8221;<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Do not mix these. &#8220;Japanese whiskeys&#8221; and &#8220;American whiskies&#8221; are both incorrect.<\/p>\n<p>For context, on Kanpai Navi we use &#8220;whisky&#8221; as our default because our primary focus is Japanese whisky, which follows the Scottish convention. When discussing American or Irish products specifically, we switch to &#8220;whiskey&#8221; to respect those traditions.<\/p>\n<h3>Serving and Enjoying: Beyond the Spelling<\/h3>\n<p>Regardless of which spelling appears on the bottle you choose, how you serve and drink it matters. If you want to serve your Japanese whisky in proper style, consider investing in a purpose-made <a href=\"\/en\/drinkware\/japanese-whiskey-glass\/\">Japanese whisky glass<\/a> &#8212; the right vessel genuinely enhances the tasting experience by concentrating aromatics and directing them toward your nose.<\/p>\n<p>If you are in the mood to mix rather than sip neat, the <a href=\"\/en\/whisky-cocktails\/japanese-highball\/\">Japanese Highball<\/a> is the most iconic way to enjoy Japanese whisky in a cocktail format. The technique &#8212; precise ratios, chilled glass, minimal stirring to preserve carbonation &#8212; reveals how production style shapes flavor in ways that neat sipping sometimes obscures.<\/p>\n<div class=\"expert-bubble\"><div class=\"expert-bubble__avatar\"><img decoding=\"async\" src=\"https:\/\/kanpai-navi.com\/wp-content\/uploads\/2026\/02\/IMG_9981.jpg\" alt=\"Daichi Takemoto\" \/><\/div><div class=\"expert-bubble__body\"><p class=\"expert-bubble__name\">Daichi Takemoto<\/p><p class=\"expert-bubble__text\">If you are just beginning to explore Japanese whisky, I always recommend starting with a highball rather than sipping neat. The dilution and carbonation open up the whisky&#8217;s more subtle characteristics &#8212; the floral notes, the gentle fruitiness, the clean grain character &#8212; that can be overshadowed by alcohol heat when you pour it straight. Once you understand the spirit&#8217;s personality through a highball, going back to neat tasting becomes much more rewarding because you know what to look for.<\/p><\/div><\/div>\n<div class=\"bartender-note\"><p class=\"bartender-note__title\">Why I Keep Both Spellings on My Menu<\/p>When I redesigned my bar menu last year, I made a deliberate choice: every whisky and whiskey on the list is spelled exactly as it appears on the producer&#8217;s label. It takes extra time to verify each one, and I have caught myself making mistakes &#8212; I once listed Maker&#8217;s Mark as &#8220;whiskey&#8221; for three months before a regular customer pointed it out. But getting the spelling right communicates something to knowledgeable guests. It tells them that this bar pays attention to details, that we respect the traditions behind what we pour. The spelling is the smallest detail on the menu, but it is often the first thing a serious whisky drinker notices.<\/div>\n<h2 id=\"faq\">Frequently Asked Questions<\/h2>\n<h3>Is it whisky or whiskey in Japan?<\/h3>\n<p>It is always <strong>whisky<\/strong> (without the &#8220;e&#8221;) in Japan. This spelling reflects the direct historical connection between Japanese distilling and the Scotch whisky tradition, established when Masataka Taketsuru studied in Scotland from 1918 to 1920. The JSLMA&#8217;s official labeling standards mandate this spelling, and every major Japanese producer follows it without exception.<\/p>\n<h3>Why do Americans spell it whiskey?<\/h3>\n<p>American producers adopted the &#8220;whiskey&#8221; spelling from Irish immigrants who brought their distilling traditions &#8212; and their preferred spelling &#8212; to the United States in the 18th and 19th centuries. The Irish had added the &#8220;e&#8221; to differentiate their product from Scotch blends. Most American brands continue this convention today, though notable exceptions like Maker&#8217;s Mark and George Dickel deliberately use the Scottish &#8220;whisky&#8221; spelling.<\/p>\n<h3>Does the spelling affect the taste?<\/h3>\n<p>No. The spelling indicates geographic and cultural heritage, not flavor. A whisky and a whiskey can taste remarkably similar or wildly different depending on their ingredients, distillation methods, cask types, and aging conditions. <span class=\"marker-yellow\">The spelling is about tradition, not recipe.<\/span><\/p>\n<h3>Is one spelling more &#8220;correct&#8221; than the other?<\/h3>\n<p>Neither spelling is more correct in an absolute sense. Both have deep historical roots in Gaelic languages. The key is to match the spelling to the specific product or tradition you are discussing. Using &#8220;whisky&#8221; for Scotch and &#8220;whiskey&#8221; for Irish is not just a style choice &#8212; it shows respect for each tradition&#8217;s identity and demonstrates genuine knowledge of the category.<\/p>\n<h3>What about Canadian whisky &#8212; why no &#8220;e&#8221;?<\/h3>\n<p>Canada uses &#8220;whisky&#8221; without the &#8220;e,&#8221; following the Scottish convention. This reflects the strong Scottish influence on early Canadian distilling. Many of Canada&#8217;s founding distillers were of Scottish descent, and the country&#8217;s whisky industry developed with close ties to Scottish practices, terminology, and methods.<\/p>\n<h3>Can I use &#8220;whisky&#8221; and &#8220;whiskey&#8221; interchangeably?<\/h3>\n<p>In casual conversation, most people will understand you regardless of which spelling you use. In professional writing &#8212; whether that is a blog post, a review, a menu, or marketing copy &#8212; <span class=\"marker-yellow\">using the correct spelling for each tradition signals expertise and attention to detail<\/span>. The general recommendation is to pick &#8220;whisky&#8221; (no &#8220;e&#8221;) as your default for general discussion, since more producing countries use it, and switch to &#8220;whiskey&#8221; only when specifically discussing Irish or American products.<\/p>\n<h3>Why does Maker&#8217;s Mark, an American bourbon, spell it &#8220;whisky&#8221;?<\/h3>\n<p>Maker&#8217;s Mark deliberately chose the Scottish spelling as a tribute to the Samuels family&#8217;s Scottish-Irish heritage and to signal that their approach to bourbon was influenced by Scottish whisky-making philosophy. It is one of the most prominent examples of a producer consciously breaking from its country&#8217;s spelling convention to make a statement about identity and craft lineage.<\/p>\n<h2>The Bottom Line<\/h2>\n<p>The <strong>whisky vs whiskey<\/strong> debate is less about right and wrong and more about understanding the history, geography, and philosophy behind each tradition. The &#8220;e&#8221; &#8212; or lack thereof &#8212; is a badge of heritage, <span class=\"marker-yellow\">a tiny but meaningful signal that connects a bottle to its cultural roots<\/span>.<\/p>\n<p>For Japanese whisky, the choice to omit the &#8220;e&#8221; is one of the most telling details about the spirit&#8217;s identity. It traces a direct line back to Masataka Taketsuru&#8217;s years in Scotland, through the founding of <a href=\"\/en\/whisky-brands\/yamazaki-whisky\/\">Yamazaki<\/a> and <a href=\"\/en\/whisky-brands\/nikka-from-the-barrel\/\">Nikka<\/a>, and forward into the meticulous, world-class distilling that Japan is celebrated for today.<\/p>\n<p>When you see &#8220;whisky&#8221; on a Japanese label, you are seeing more than a spelling preference &#8212; you are seeing a century of devotion to a craft learned from Scottish masters and refined with Japanese precision. That single missing letter carries more weight than any age statement or tasting note ever could.<\/p>\n<p>So the next time someone asks you whether it is <strong>whisky or whiskey<\/strong>, you will know the answer: it depends entirely on where the bottle comes from and which tradition it honors. And if the bottle comes from Japan, <span class=\"marker-yellow\">the answer is always <em>whisky<\/em><\/span>.<\/p>\n<h2>Sources and References<\/h2>\n<ul>\n<li>Scotch Whisky Association. <em>Scotch Whisky Regulations 2009<\/em>. UK Government Legislation.<\/li>\n<li>Japan Spirits &amp; Liqueurs Makers Association. <em>Labeling Standards for Japanese Whisky<\/em> (2021).<\/li>\n<li>Broom, Dave. <em>The Way of Whisky: A Journey Around Japanese Whisky<\/em>. Mitchell Beazley, 2017.<\/li>\n<li>Taketsuru, Masataka. <em>Taketsuru Notes<\/em> (personal distilling records, 1918-1920). Nikka Whisky Archives.<\/li>\n<li>Dublin Distillers (John Jameson &amp; Son, William Jameson &amp; Co., John Power &amp; Son, George Roe &amp; Co.). <em>Truths About Whisky<\/em>. 1879.<\/li>\n<li>Barnard, Alfred. <em>The Whisky Distilleries of the United Kingdom<\/em>. Harper&#8217;s Weekly Gazette, 1887.<\/li>\n<li>US Alcohol and Tobacco Tax and Trade Bureau. <em>Standards of Identity for Distilled Spirits<\/em> (27 CFR 5).<\/li>\n<li>Udo, Misako. <em>The Scottish Whisky Distilleries<\/em>. Black &amp; White Publishing, 2006.<\/li>\n<li>Bunting, Chris. <em>Drinking Japan<\/em>. Tuttle Publishing, 2014.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>What You&#8217;ll Learn in This Article How one letter split the whisky world &#8212; the 1800s branding war that created two competing spellings Which countries &#8230; <a title=\"Whisky vs Whiskey: Why Japan Spells It Without the &#8216;E&#8217;\" class=\"read-more\" href=\"https:\/\/kanpai-navi.com\/en\/whisky\/whisky-vs-whiskey\/\" aria-label=\"Read more about Whisky vs Whiskey: Why Japan Spells It Without the &#8216;E&#8217;\">Read more<\/a><\/p>\n","protected":false},"author":1,"featured_media":428,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-whisky"],"_links":{"self":[{"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":4,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":441,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/posts\/172\/revisions\/441"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/media\/428"}],"wp:attachment":[{"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/kanpai-navi.com\/en\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}